![]() Things improved slightly in Week Two on the road against the Bengals with another of O’Brien’s classic one-possession victories against a bad team. Watt’s prime being consumed while the team struggles on offense. The bummer is that this defense has been, and still looks to be, capable of winning it all now. ![]() I’m as excited as anyone that we finally HAVE a rising star at quarterback. That is also the challenge we’ll have as fans, as 2017 is now very likely going to be a year of developing a rising star instead of contending for a championship. Instead, we’ll likely endure some rough outings as a rookie quarterback gets up to speed in the NFL through “on-the-job-training” fashion. The criticism here is that they should have had a clearer evaluation of Savage and recognized that Watson should have been given the maximum time to prepare as the starter. I have no idea what the Texans thought they accomplished up at The Greenbrier in the offseason, but it was all tossed into a shredder at halftime when O’Brien yanked Tom Savage from the game and started Deshaun Watson in the second half. This forces us to once again ask questions that we have asked in the past, like: “Is the offense too complicated? Is the defense too complicated?” Yikes! Another season, and another O’Brien team that started slow out of the gate. Before it’s all said and done, there’s a credible risk that this 2017 season may also be one to toss into the abyss and strike from the records, but we’ll cross that bridge as it unfolds before our Hurricane Harvey-ravished bloodshot eyes.īill O’Brien kicked off this year by getting pantsed in the home opener by the Jaguars, with his team looking completely unprepared throughout the entire game on all sides of the ball. Watt, let’s just agree that 2016 didn’t exist. But it also latches on to something even more troubling about the members of this fanatical death cult: when they ran out of people to kill, they started killing each other.Given the shenanigans last year with the player who shall not be named and was such a disaster at quarterback, not to mention the season-long loss of our beloved J.J. In its own very dark way, ‘The Captain’ works as satire on Nazism’s fixation with regulation, paperwork and legal detail as a means of giving itself a veneer of legitimacy. He’s since knocked out Hollywood fare of varying degrees of quality, from ordinary (‘The Time Traveler’s Wife’) to plain awful (‘RIPD’), but there’s something in this dark tale that seems to have given him teeth.įrom time to time, he surfs perilously close to bad taste – the end credits have to be seen to be believed – but for the most part the risk-taking pays off. Also surprisingly, it’s the handiwork of German writer-director Robert Schwentke, who made his last film in his native tongue 15 years ago. This is all based on a true story – you’ll want to forget this in its darker moments – albeit told in a heightened style that contrasts with the stark black-and-white cinematography (imagine Swedish absurdist Roy Andersson at his most nihilistic). He and a small band of henchmen wash up at an internment camp, where he claims to be on a secret mission from the Führer. When a fellow deserter mistakes him for an officer and falls in behind him, it begins to dawn on him that he needs to play the part – a brutal role he soon adopts with alacrity. Herold escapes by the skin of his teeth and stumbles upon an abandoned staff car containing a Luftwaffe captain’s uniform, which he tries on for size. With the war lost, lives have ceased to matter. The soldier, Willi Herold (‘Mario’s Max Hubacher, brilliantly chilling) is first encountered on the run from fellow Nazi soldiers, in a casually cruel chase that sets the tone for the film. It’s a hypnotic, upsetting and often quite brilliant allegory of the corrosive nature of power in which a simple uniform transforms a deserting private into a mass-murdering monster. ![]() This German war drama, set mostly in a POW camp for army deserters in the dying embers of World War Two, mixes a truly hellish vision of defeated Nazis with bitumen-black comedy. You’ve heard of ‘Stalag 17’, now meet Stalag 666.
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